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Cutting Edge: Art-Horror and the Horrific Avant-garde
0 references·16 citing·43 second hop
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Cited by

  • 2005National, transnational or supranational cinema? Rethinking European film studies185 cited
  • 2012Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer77 cited
  • 2007Introduction: Prior Constraints36 cited
  • 2004Horror Film and Psychoanalysis35 cited
  • 2007A Title Does Not Ask, But Demands That You Make a Choice: On the Otherwise Films of Bruce LaBruce22 cited
  • 2009Horror to the Extreme: Changing Boundaries in Asian Cinema21 cited
  • 2011Woman's body and her pleasure in the celluloid erotica of Walerian Borowczyk19 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2010Traces of the modern: an alternative history of French cinema17 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2007Para-Paracinema13 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2008The Decline of the Literary Horror Market in the 1990s and Dell's Abyss Series10 cited

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2014
Trash Horror and the Cult of the Bad Film
10 cited
  • 2007Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film9 cited