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Cited by

• 2021Spotify and the democratisation of music64 cited
• 2021Sound Relations57 cited
• 2019The Cambridge History of Sixteenth-Century Music52 cited
• 2019Joseph Johnson's Lost Gamuts: Native Hymnody, Materials of Exchange, and the Colonialist Archive28 cited
• 2017The Marketplace of Devotional Song: Cultural Economies of Exchange in Bengali Padāvalī-Kīrtan27 cited
• 2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons27 cited
• 2019Music in the Early Colonial World24 cited
• 2019Digital Technology and Cultural Practice20 cited
• 2013Sound Work: Music as Labor and the 1940s Recording Bans of the American Federation of Musicians17 cited
• 2019The Political Economy of Streaming17 cited
• 2019Witnessing Race in the New Digital Cinema16 cited
• 2019Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī15 cited
• 2019On Serving as an Expert Witness in the ‘Blurred Lines’ Case15 cited
• 2019Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes12 cited
• 2023