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Music Criticism in Vienna, 1896-1897: Critically Moving Forms
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  • 2010Music, Letters and National Identity: Reading the 1890s' Italian Music Press59 cited
  • 1998How "deutsch" a Requiem? Absolute Music, Universality, and the Reception of Brahms's "Ein deutsches Requiem," op. 4532 cited
  • 2007Dvořák's Reception in Liberal Vienna: Language Ordinances, National Property, and the Rhetoric of Deutschtum30 cited
  • 1996Max Kalbeck and Gustav Mahler23 cited
  • 2015Delirious Hopes: Napoleonic Milan and the Rise of Modern Italian Operatic Criticism23 cited
  • 2020The Beethoven Syndrome16 cited
  • 2001The structures of musical life15 cited
  • 2022Rethinking Brahms11 cited
  • 2014Reviewing critical practice: An analysis of Gramophone ’s reviews of Beethoven’s piano sonatas, 1923–201011 cited
  • 2001Music and social class8 cited
  • 2007Reforming Johannes: Brahms, Kreisler Junior and the Piano Trio in B, Op. 86 cited
  • 2017Noise and Arnold Schoenberg’s 1913 Scandal Concert5 cited
  • 2006Music in History: The Perils of Method in Reception History5 cited
  • 2014FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM4 cited
  • 2014The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity

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3 cited