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Note on transliteration 1. Introduction 2. The Dam Bursts: The First and Second Conservatories 3. Andrey Volkonsky and the Beginnings of Unofficial Music 4. From Young to Unofficial: Denisov's Sun of the Incas 5. Unofficial Venues, Performers, and Audiences 6. From Abstraction to Mimesis, from Control to Freedom: Part, Schnittke, Silvestrov, Gubaidulina 7. Denisov's Laments, Volkonsky's Rejoinder 8. Conclusion: The Farewell Symphony Epilogue: Reflections on Memory and Nostalgia Appendices Bibliography Index
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