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Cited by

• 2010The Last Pagans of Rome390 cited
• 2017The Mortal Voice in the Tragedies of Aeschylus114 cited
• 2000Iliad and Aethiopis on the Stage: Aeschylus and Son101 cited
• 2003Aeschylus and the unity of opposites72 cited
• 2014INTERIORITY, THE ‘DEEP EARTH’ AND THE SPATIAL SYMBOLISM OF DARIUS' APPARITION IN THEPERSIANSOF AESCHYLUS69 cited
• 2018Greek Tragedy in the Fourth Century: The Fragments51 cited
• 2018Tragedy, Ritual and Money in Ancient Greece49 cited
• 2018Simonides the poet intertextuality and reception37 cited
• 2016Against a Prometheia : Rethinking the Connected Trilogy31 cited
• 2018Dionysos, Money and Drama31 cited
• 2020Female Characters in Fragmentary Greek Tragedy27 cited
• 2023In Blood and Ashes26 cited
• 2023Aeschylus: Language and Style18 cited
• 2013NINE PASSAGES OF AESCHYLUS,AGAMEMNON18 cited
• 2019Theatre at Olbia in the Black Sea18 cited
• 2022Unlocking the Riddles of Classical Greek Melodies II: The Revolution of the New Music in the Ashmolean Papyri (DAGM 5–6) and Athenaeus’ Paean (DAGM 20)