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A History of Performing Pitch: The Story of 'A'
0 references·16 citing·27 second hop
A History of Performing Pitch: The Story of 'A' (2002)A History of Performing Pitch: The Story …Tuning forks as time travel machines: pitch standardisation and historicism (2020)Tuning forks as time travel m…Transkription wortloser Gesänge (2019)Transkription wortloser Gesän…The Cambridge Companion to the Harpsichord (2019)The Cambridge Companion to th…The Cambridge Encyclopedia of Brass Instruments (2018)The Cambridge Encyclopedia of…On equal temperament (2015)On equal temperamentVocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Caroline Carvalho and nineteenth-century coloratura (2011)Caroline Carvalho and ninetee…Harpsichord and Clavichord (2010)Harpsichord and Clavichord‘High’ clefs in composition and performance (2006)‘High’ clefs in composition a…Tuning and Temperament, a Historical Survey (1952)Tuning and Temperament; A Historical Survey (1952)Tuning, Timbre, Spectrum, Scale (1998)The teaching of performance (2012)Description of String Instruments for Classical Music (2016)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Composers at Work: The Craft of Musical Composition 1450-1600 (1998)The Requiem of Tomás Luis de Victoria (1603) (2019)The Order of Things: An Archaeology of the Human Sciences. (1971)We have never been modern (1994)Reassembling the Social (2005)Microtonal Tunings in Electronic Dance Music: A Survey of Precedent and Potential (2016)Paris, Capital of Modernity (2004)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)The musical topic: hunt, military, and pastoral (2007)Three Centuries of Harpsichord Making (1966)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
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Cited by

  • 2006‘High’ clefs in composition and performance60 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2019The Cambridge Companion to the Harpsichord27 cited
  • 2012The performer and the composer10 cited
  • 2010Harpsichord and Clavichord9 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2015On equal temperament6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2011Caroline Carvalho and nineteenth-century coloratura5 cited
  • 2018The Cambridge Encyclopedia of Brass Instruments5 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2019Transkription wortloser Gesänge4 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2020Tuning forks as time travel machines: pitch standardisation and historicism

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3 cited