SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The background of the South Indian raga-system
0 references·10 citing·24 second hop
The background of the South Indian raga-system (1958)The background of the South Indian raga-s…Coarticulation and Gesture: an Analysis of Melodic Movement in South Indian Raga Performance (2016)Coarticulation and Gesture: a…Structural Levels in South Indian Music (2015)Structural Levels in South In…Theorizing the Local (2009)Theorizing the LocalChapter 9 Sīna ba Sīna or “From Father to Son” (2009)Chapter 9 Sīna ba Sīna or “Fr…Chapter 7 Music in Urban Space (2009)Chapter 7 Music in Urban SpaceChapter 3 Listening to the Violin in South Indian Classical Music (2009)Chapter 3 Listening to the Vi…Chapter 11 Modes of Theorizing in Iranian Khorasan (2009)Chapter 11 Modes of Theorizin…Variation and Process in South Indian Music: SomeKritis and theirSangatis (2001)Variation and Process in Sout…Ornamentation in South Indian Music and the Violin (1990)Ornamentation in South Indian…The Structure of Musical Meaning: A View from Banaras (A Metamodal Model for Milton) (1976)The Structure of Musical Mean…MODE AND RAGA (1958)Meaningful Adjustments: Musical Performance and Ritual Action in a South Indian Temple (2015)Contemplating Music: Challenges to Musicology (1989)Music and Musical Thought in Early India (1992)Music in the Galant Style (2007)North Indian Classical Music and Lerdahl and Jackendoff’s Generative Theory – a Mutual Regard (2017)Reimagine to Revitalise (2021)Tonality as a Colonizing Force in Africa (2023)Coarticulation: Theory, Data, and Techniques (2001)The New Grove dictionary of music and musicians (2001)New Perspectives on Music and Gesture (2016)From the Body Image to the Body Schema, From the Proximal to the Distal: Embodied Musical Activity Toward Learning Instrumental Musical Skills (2020)My music, my life (1969)The Principles of Violin Fingering (1969)Outline of a Theory of Practice (1977)The Constitution of Society. Outline of the Theory of Structuration (1984)Situated Learning (1991)Dancing with Devtās: Drums, Power and Possession in the Music of Garhwal, North India (2011)An Approach to Musical Rhythm in Agbadza (2019)Layers and Elasticity in the Rhythm of Noh Songs (2019)Thought and Play in Musical Rhythm (2019)Different Resistances: A Comparative View of Indian and Western Classical Music in the Modern Era (2013)Crafting fidelity: pedagogical creativity in kathak dance (2015)Listening to female voices in Sikhkirtan (2016)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016Coarticulation and Gesture: an Analysis of Melodic Movement in South Indian Raga Performance26 cited
  • 2009Chapter 11 Modes of Theorizing in Iranian Khorasan21 cited
  • 2009Chapter 7 Music in Urban Space21 cited
  • 2015Structural Levels in South Indian Music18 cited
  • 2009Chapter 9 Sīna ba Sīna or “From Father to Son”14 cited
  • 2001Variation and Process in South Indian Music: SomeKritis and theirSangatis12 cited
  • 2009Theorizing the Local7 cited
  • 1990Ornamentation in South Indian Music and the Violin4 cited
  • 1976The Structure of Musical Meaning: A View from Banaras (A Metamodal Model for Milton)4 cited
  • 2009Chapter 3 Listening to the Violin in South Indian Classical Music3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work