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The Brechtian aspect of radical cinema
0 references·16 citing·18 second hop
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  • 2010Art Labor, Sex Politics49 cited
  • 2017Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 188028 cited
  • 2017Epilogue: Modernism after Postmodernism22 cited
  • 2017Introduction: A History of “Modernism”20 cited
  • 2017The New Spaces of Modernist Painting19 cited
  • 2009The Altering Eye: Contemporary International Cinema18 cited
  • 2017At Other Times: Modernism and the “Primitive”17 cited
  • 2017On or About 1922:Annus Mirabilisand the Other 1920s17 cited
  • 2017Modernism and the Urban Imaginary 1: Spectacle and Introspection17 cited
  • 2017The Theatre of Modernity16 cited
  • 2017The Long Turn of the Century16 cited
  • 2017A Technique of Unsettlement: Freud, Freudianism, and the Psychology of Modernism15 cited
  • 2017Newer Freewomen and Modernism15 cited
  • 2017The 1930s, the Second World War, and Late Modernism15 cited
  • 2017“The condition of music”: Modernism and Music in the New Twentieth Century14 cited
  • 2017

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Bertolt Brecht, Sergei Eisenstein, Leni Riefenstahl
14 cited