Preface Points of departure: Ethnomusicology and western art music A community of professional musicians The native ethnomusicologist The ethnographic text Musicality and individuality: Musicality and individuality Conceptualising sound Self conception and individual identity: The Deputy system: Variety as the spice of life Deputising Economic capital, musical capital, and self conception Individual identity and reciprocal obligation Musical capital and musical coin Musicianship, small ensembles, and the social self: Musicianship Ensembles and individuals Recordings Orchestras, the self, and creativity in musical performance: Orchestras and the self Creativity Myth and humour: Myth Stereotypes Humour Viola jokes The performance event: ritual, theatre, play: Ritual and ritualising The theatre of musical performance Play ... da capo al fine...: Twists in the tale Limitations of the ethnography Musicians lives and social rank: the urban musician-type Appendix Bibliography Index.
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