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Cited by

• 2012How Marketplace Performances Produce Interdependent Status Games and Contested Forms of Symbolic Capital154 cited
• 2013The Eyes of the Beholder: Aesthetic Preferences and the Remaking of Cultural Capital125 cited
• 2007W. G. Sebald - Image, Archive, Modernity63 cited
• 2007Material Culture and the Living Room61 cited
• 2005The predicament of diversity33 cited
• 2011Race on display: The ‘Melanian’, ‘Mongolian’ and ‘Caucasian’ galleries at Liverpool Museum (1896–1929)32 cited
• 2010Art Education, Class, and Gender in a Foreign Art Gallery: Nineteenth‐Century Cultural Travelers and the Prado Museum in Madrid31 cited
• 2007Museums After Modernism28 cited
• 2012‘Educative leisure’ and the art museum25 cited
• 2017Engaging with the anti-museum? Visitors to the Museum of Old and New Art24 cited
• 2004Museums and Childhood23 cited
• 2013The rules of (Maori) art: Bourdieu’s cultural sociology and Maori visitors in New Zealand museums16 cited
• 2012Mastering the Connoisseur's Eye: Paintings, Criticism, and the Canon in Dutch and Flemish Travel Culture, 1600-17506 cited
• 2009Inscribing Universal Values into the Urban Landscape: New York, Jerusalem, and Winnipeg as Case Studies