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African diaspora and colombian popular music in the twentieth century
16 references·1 citing·36 second hop
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References

  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2004The ‘diaspora’ diaspora1,848 cited
  • 1999On the Cunning of Imperialist Reason930 cited
  • 2016Between Camps : Nations, Cultures and the Allure of Race593 cited
  • 1993Goodby to Tristes Tropes: Ethnography in the Context of Modern World History390 cited
  • 1995Prehistories of the future : the primitivist project and the culture of modernism320 cited
  • 1976An anthropological approach to the Afro-American past : a Caribbean perspective309 cited
  • 2018Tango and the Political Economy of Passion292 cited
  • 1994Blackness and race mixture: the dynamics of racial identity in Colombia287 cited
  • 1995the cultural politics of blackness in Colombia261 cited
  • 2005Rethinking Mestizaje: Ideology and Lived Experience259 cited
  • 1992Primitive Art in Civilized Places238 cited
  • 1996Caribbean currents: Caribbean music from rumba to reggae215 cited
  • 2003Identidades a flor de piel169 cited
  • 1998Bachata: A Social History of Dominican Popular Music151 cited
  • 2007Can Ethnicity Replace Race? Afro‐Colombians, Indigeneity and the Colombian Multicultural State

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133 cited

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  • 2021Assembling ‘indigeneity’ through musical practices: translocal circulations, ‘tradition’, and place in Otavalo (Ecuadorian Andes)2 cited