Vorticism : new perspectives

Abstract

Table of Contents Acknowledgements Notes on Contributors Mark Antliff and Scott W. Klein, Introduction: Vorticisms Prologue Chapter 1: Fredric Jameson, Lewis's Timon: War of Forms Part I: in European Context Chapter 2: Rebecca Beasley, Vortorussophilia Chapter 3: Andrzej G?siorek, Modern Art in England circa 1914: T. E. Hulme and Wyndham Lewis Chapter 4: Scott W. Klein, How German Is It: Vorticism, Nationalism, and the Paradox of Aesthetic Self-Definition Part II: Machine Aesthetics, Primitivism, Cultural Politics Chapter 5: Jonathan Black, Constructing a Chinese-Puzzle Universe>: Industry, National Identity, and Edward Wadsworth's Vorticist Woodcuts of West Yorkshire, 1914-1916 Chapter 6: Mark Antliff, Politicizing the New Sculpture Chapter 7: Miranda Hickman, The Gender of Vorticism: Jessie Dismorr, Helen Saunders, and Vorticist Feminism Part III: and America Chapter 8: Alan Antliff, Pound, Man Ray, and in America, 1914-1917 Chapter 9: Anne McCauley, Witch Work, Art Work, and the Spiritual Roots of Abstraction: Ezra Pound, Alvin Langdon Coburn, and the Vortographs Chapter 10: Vivien Greene, John Quinn and Vorticist Painting: Eye (and Purse) of an American Collector Part IV: Wyndham Lewis, and After Chapter 11: Paul Edwards, Blast and the Revolutionary Mood of Wyndham Lewis's Vorticism Chapter 12: Martin Puchner, World and Stage in Enemy of the Stars Chapter 13: Douglas Mao, Blasting and Disappearing Bibliography

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