Ligeti, Kurtág, and Hungarian Music during the Cold War

Rachel Beckles Willson

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Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

Abstract

Introduction Part I: 1. After 1920: on land, language and music 2. After 1945: a new empire forms Part II: 3. After 1956: parted ways 4. After 1968: Budapest, Kurtag, events 5. After the west: Ligeti looks back 6. After Budapest: out of Hungary? Epilogue: on 'Hungary', and (our) longing for Moscow Personalia.

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1992Quasi Una Fantasia

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2015Convergences and Discord in the Correspondence between Ligeti and Adorno 2012The Cosmopolitan Absurdity of Ligeti's Late Works 2019An Extension of the Minimally Divergent Contour Network: Considering Nonconsecutive Repeated Contour Pitches 2013A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network 2017The Rockefeller Foundation and Latin American Music in the 1960s: The Creation of Indiana University’s LAMC and Di Tella Institute’s CLAEM 2012Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti'sÉtudesfor Piano 2014LIGETI'S DODECAPHONIC REQUIEM

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