Painting without Permission: Hip-Hop Graffiti Subculture

Janice Rahn

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Public Spaces through Art Music History and Culture Urban and sociocultural dynamics

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Introduction The Structure of Hip-Hop Culture The Interviews Community Collaboration and Dialogue Performance in a Public Space, Place, and Change Implications for Teaching Bibliography

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2009Revolution is the New Black: Graffiti/Art and Mark-making Practices 2006In Praise of 70K: Cultural Heritage and Graffiti Style 2014Zero graffiti for a beautiful city: the cultural politics of urban space in San Francisco 2013Graffiti in China – Chinese Graffiti?2011Political Elites, “Broken Windows”, and the Commodification of Urban Space 2015Moving from Urban to Virtual Spaces and Back: Learning In/From Signature Graffiti Subculture 2012Graffiti Crews' Potential Pedagogical Role.2015Young People and The Spatial Politics of Graffiti Writing

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