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Acknowledgments Notes on Contributors Introduction (Christina Lee) 1. Cracks Between: Cinematic and Proto-Cinematic Counter-Memories of the American Civil War (Zoe Trodd) 2. Our Impossible Failings: The Rhetoric of Historical Representation, Ideology, and Subjectivity in Ken Burns' Jazz (J.A. Rice) 3. Zero Percent Chance of Rain: The Watergate History and All The President's Men (Pamela L. Kerpius) 4. Staying for Time: The Holocaust and Atrocity Footage in American Public Memory (Steven Alan Carr) 5. Nostalgic Travels Through Space and Time: Good Bye, Lenin! (Roger F. Cook) 6. The Temporal/Spatial Logic of Japanese Nationalism: The Narrative Structure of Film and Memory (Michael Sugimoto) 7. Remembering a Film and Ruining a Film History: On Tian Zhuangzhuang's Failure to Remake Spring in a Small Town (Yiman Wang) 8. We'll Always Have Hong Kong: Uncanny Spaces and Disappearing Memories in the Films of Wong Kar Wai (Christina Lee) 9. No Future for You: The Sex Pistols and the Politics of Cinematic Reimaginings (Adam Trainer) 10. The American Family (Film) in Retro: Nostalgia as Mode in Wes Anderson's The Royal Tenenbaums (Daniel Cross Turner) 11. Manifesting a Mutant Past in Eternal Sunshine of the Spotless Mind (Michael Pigott) 12. When People Run In Circles: Structures of Time and Memory in Donnie Darko (James Walters) 13. What a Difference A Day Made: Database Narratives and Avatar Subjectivities in the Alternate-Reality Film (Chuck Tryon).
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