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:The Age of the Marvelous
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  • 2012Learning to Look: Visual Expertise across Art and Science in Eighteenth-Century France40 cited
  • 2001A World of Signs: Baroque Pansemioticism, the Polyhistor and the Early Modern Wunderkammer35 cited
  • 2006Anatomy Theaters, Botanical Gardens, and Natural History Collections30 cited
  • 2003Image and Text in Natural History, 1500–170028 cited
  • 2017“Such Monsters Do Exist in Nature”: Mermaids, Tritons, and the Science of Wonder in Eighteenth-Century Europe23 cited
  • 2016Media of Attraction: A Media Archeology Approach to Panoramas, Kinematography, Mixed Reality and Beyond19 cited
  • 2013The Dryden-Davenant Tempest, Wonder Production, and the State of Natural Philosophy in 166718 cited
  • 2015The paradox of body, building and motion in seventeenth-century England17 cited
  • 2006How to Look at a Hermaphrodite in Early Modern England16 cited
  • 2001Georg Marcgraf (1610 – c. 1644): A German Cartographer, Astronomer, and Naturalist-Illustrator in Colonial Dutch Brazil15 cited
  • 2008Ben Jonson’s Alchemist and Early Modern Laboratory Space12 cited
  • 2007Opening the queen's closet: Henrietta Maria, Elizabeth Cromwell, and the politics of cookery.10 cited
  • 2001Ambivalent geographies9 cited
  • 1996

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Mapping the early modern city
6 cited
  • 1996The Invisible Woman and Her Secrets Unveiled6 cited
  • 1996Horns, Bats, Ideas: Encountering the Fetish at the Museum of Jurassic Technology3 cited