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Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music
0 references·7 citing·24 second hop
Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (2010)Sounding the Virtual: Gilles Deleuze and …Postcolonial Bifurcation: On John Sharpley'sEmptiness (2019)Postcolonial Bifurcation: On …Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World (2018)Sounding Islam: Voice, Media,…A Cross-genre Study of the (Ec)Static Perspective of Today’s Music (2015)A Cross-genre Study of the (E…The Touring Musician: Repetition and Authenticity in Performance (2014)The Touring Musician: Repetit…‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music (2014)‘Ga, ga, ooh-la-la’: the chil…Uncaged : John Cage and conceptual approaches to participatory music-making (2013)Uncaged : John Cage and conce…›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 (2012)›Der leere Platz‹. Überlegung…Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Kafka: Toward a Minor Literature (1986)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The sound of nonsense - on the function of nonsense words in pop songs (2017)Difference and repetition (1994)The Sage handbook of qualitative research, 3rd ed. (2005)Analytic Autoethnography (2006)The Experience of Authenticity Across Three Music Disciplines; Music Therapy, Music Teaching and Music Performance (2023)Audio Culture: Readings in Modern Music (2004)Background Noise: Perspectives on Sound Art (2006)Listening to Noise and Silence (2010)Anti-Oedipus: Capitalism and Schizophrenia. (1978)Noise, the Political Economy of Music (1989)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Modernity at Large: Cultural Dimensions of Globalization. (1998)FM radio and the Malayali diaspora in Qatar: at home overseas (2020)Brought to Life by the Voice: Playback Singing and Cultural Politics in South India (2021)4. An Untouchable Kīrtan: Sonic Liberation on the Andaman Islands (2023)Biographie von Ludwig van Beethoven (1909)Differenz und Wiederholung (1992)The Chromatic Fourth During Four Centuries of Music (1998)Emotion and Meaning in Music (1957)Disjuncture and Difference in the Global Cultural Economy (1990)The Fold: Leibniz and the Baroque (1994)
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Cited by

  • 2018Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World71 cited
  • 2014The Touring Musician: Repetition and Authenticity in Performance10 cited
  • 2014‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music9 cited
  • 2015A Cross-genre Study of the (Ec)Static Perspective of Today’s Music5 cited
  • 2013Uncaged : John Cage and conceptual approaches to participatory music-making4 cited
  • 2019Postcolonial Bifurcation: On John Sharpley'sEmptiness3 cited
  • 2012›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 1302 cited

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