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The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture
0 references·16 citing·50 second hop
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Cited by

  • 2011Global Ill-Literacies125 cited
  • 2015Translocal style communities112 cited
  • 2016From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam94 cited
  • 2008Racial Authenticity in Rap Music and Hip Hop81 cited
  • 2011Hip-Hop & the Global Imprint of a Black Cultural Form80 cited
  • 2013Transnational circulation and digital fatigue in Ghana's Azonto dance craze79 cited
  • 2011Fleeting Substantiality: The Samoan Giant in US Popular Discourse43 cited
  • 2019Culture, Communication and Hybridity: The Case ofThe Rap of China40 cited
  • 2013The sound of street corner society: UK grime music as ethnography37 cited
  • 2012The Aesthetics of Diaspora: Ownership and Appropriation33 cited
  • 2014“The Old Man Is Dead”: Hip Hop and the Arts of Citizenship of Senegalese Youth23 cited
  • 2016‘The world is yours’: the globalization of hip-hop language21 cited
  • 2018Love, Struggle, and Compromises: The Political Seriousness of Nairobi Underground Hip Hop18 cited
  • 2016LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL18 cited
  • 2015

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WORD: Hip-Hop, Language, and Indigeneity in the Americas
16 cited
  • 2015To Make Song Without Singing: Hip Hop and Popular Music in Senegal14 cited