SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Framing piracy: globalization and film distribution in greater China
0 references·16 citing·42 second hop
Framing piracy: globalization and film distribution in greater China (2004)Framing piracy: globalization and film di…Post Americana: Twenty-First Century Media Globalization (2020)Post Americana: Twenty-First …Reconfiguring Mobile Media Assemblages: Download Cultures and Translocal Flows of Affective Platforms (2017)Reconfiguring Mobile Media As…Pop Cosmopolitics and K-pop Video Culture (2017)Pop Cosmopolitics and K-pop V…Politics in the Age of YouTube (2017)Politics in the Age of YouTubeIntellectual Property, Piracy, and Counterfeiting (2016)Intellectual Property, Piracy…Internationalizing "International Communication" (2015)Internationalizing "Internati…The Baidu Music Settlement: A Turning Point for Copyright Reform In China? (2013)The Baidu Music Settlement: A…Peruwood: La industria del video digital en el Perú (2013)Peruwood: La industria del vi…The pirates of Nevskii Prospekt: Intellectual property, piracy and institutional diffusion in Russia (2012)The pirates of Nevskii Prospe…Piracy cultures: editorial introduction (2012)Piracy cultures: editorial in…Creativity and its Discontents (2012)Creativity and its DiscontentsGlobal Media Capital and Local Media Policy (2011)Global Media Capital and Loca…Product Placement and Digital Piracy: How Young Chinese Viewers React to the Unconventional Method of Corporate Cultural Globalization (2010)Product Placement and Digital…Bollywood, Tibet, and the spatial and temporal dimensions of global modernity (2009)Bollywood, Tibet, and the spa…Made in China: the cultural logic of OEMs and the manufacture of low‐cost technology (2008)Made in China: the cultural l…Fantasy and reality of a virtual China in Jia Zhangke's filmThe World (2008)Fantasy and reality of a virt…Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Handbook of Theory and Research for the Sociology of Education. (1987)The consequences of modernity (1990)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)The Future of the Internet (2008)Technologies of Piracy? Exploring the Interplay Between Commercialism and Idealism in the Development of MP3 and DivX (2013)Piracy and Social Change (2015)The Wealth of Networks (2017)The New Imperialism (2003)Dialectic of Enlightenment (2020)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The sublime object of ideology (1990)A Brief History of Neoliberalism (2005)Violence, wuxia , migrants: Jia Zhangke's cinematic discontent in A Touch of Sin (2015)Pessimistic Chinese Cosmopolitanism and Jia Zhangke's The World (2019)A Brief History of Neoliberalism (2020)The new institutionalism in organizational analysis (1992)The New Institutionalism in Organizational Analysis. (1993)Signal and noise: media, infrastructure, and urban culture in Nigeria (2009)The Paradoxes of Piracy (2014)Musical preferences and technologies: Contemporary material and symbolic distinctions criticized (2015)Russian Media Piracy in the Context of Censoring Practices (2015)The Interpretation of Cultures (1974)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Reassembling the Social (2005)Keywords: A Vocabulary of Culture and Society (1977)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Gender trouble: feminism and the subversion of identity (1990)Minority dissent and team innovation: The importance of participation in decision making. (2001)9 Creativity in Organizations (2007)Dual Tuning in a Supportive Context: Joint Contributions of Positive Mood, Negative Mood, and Supervisory Behaviors to Employee Creativity (2007)Friction: An Ethnography of Global Connection (2004)Financialization and the World Economy (2005)Ten postulates of a media imperialism framework: For critical research on China’s media power and influence in the Global South (2023)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Meeting the Universe Halfway (2006)The Structure of Scientific Revolutions (1963)The Constitution of Society. Outline of the Theory of Structuration (1984)Diffusion of innovations (2003)Power relations in global knowledge production. A cultural/critical approach (2019)De-Westernization in journalism research: a content and network analysis of the BRICS journals (2021)Press Freedom during Covid-19: The Digital Discourses of the International Press Institute, Reporters Sans Frontières, and the Committee to Protect Journalists (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Creativity and its Discontents70 cited
  • 2008Made in China: the cultural logic of OEMs and the manufacture of low‐cost technology25 cited
  • 2015Internationalizing "International Communication"20 cited
  • 2012The pirates of Nevskii Prospekt: Intellectual property, piracy and institutional diffusion in Russia13 cited
  • 2008Fantasy and reality of a virtual China in Jia Zhangke's filmThe World12 cited
  • 2017Pop Cosmopolitics and K-pop Video Culture11 cited
  • 2020Post Americana: Twenty-First Century Media Globalization10 cited
  • 2012Piracy cultures: editorial introduction10 cited
  • 2011Global Media Capital and Local Media Policy9 cited
  • 2016Intellectual Property, Piracy, and Counterfeiting9 cited
  • 2017Reconfiguring Mobile Media Assemblages: Download Cultures and Translocal Flows of Affective Platforms9 cited
  • 2017Politics in the Age of YouTube7 cited
  • 2013Peruwood: La industria del video digital en el Perú7 cited
  • 2013The Baidu Music Settlement: A Turning Point for Copyright Reform In China?7 cited
  • 2010Product Placement and Digital Piracy: How Young Chinese Viewers React to the Unconventional Method of Corporate Cultural Globalization

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

5 cited
  • 2009Bollywood, Tibet, and the spatial and temporal dimensions of global modernity4 cited