The documentary politics, emotion, culture

Belinda Smaill

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Cinema History and Criticism Cinema and Media Studies Literature, Film, and Journalism Analysis

Abstract

"An exploration of the role of emotion and affect in contemporary documentary film, arguing that analysis of the sociality of the emotions is integral to advancing our understanding of the formulation of selfhood in documentary. Belinda Smaill also examines documentary's political function, looking at issues such as gender, ethnicity and class"--Provided by publisher

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References

1991Postmodernism, or, The cultural logic of late capitalism 2013The Cultural Politics of Emotion 1995States of Injury 1992Testimony: crises of witnessing in literature, psychoanalysis, and history 1985The body in pain 1961The Long Revolution 1996Inventing our Selves 1997Family Frames: Photography, Narrative and Postmemory

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2016Strategic impact documentary: Contexts of production and social intervention 2014Moving Environments: Affect, Emotion, Ecology, and Film 2015Revisitando el cine documental: de Flaherty al webdoc

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