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Masking and Power: Carnival and Popular Culture in the Caribbean
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  • 2016Imperial Matter: Ancient Persia and the Archaeology of Empires129 cited
  • 2014Severe Physical Violence and Black Women’s Health and Well-Being61 cited
  • 2010Surviving Secularization: Masking the Spirit in the Jankunu (John Canoe) Festivals of the Caribbean48 cited
  • 2010Aquí Está Alvarez Guedes: Cuban choteo and the politics of play30 cited
  • 2018Thin selves: popular psychology and the transnational moral grammar of self-identity26 cited
  • 2010Carnival praxis, carnivalesque strategies and Atlantic interstices24 cited
  • 2010De Jamette in We: Redefining Performance in Contemporary Trinidad Carnival22 cited
  • 2010Bahian carnival and social carnivalesque in trans-Atlantic context18 cited
  • 2010Ethnic identity and elite idyll: a comparison of carnival in Buenos Aires, Argentina and Montevideo, Uruguay, 1900–192014 cited
  • 2011The Ati-Atihan Festival: Dancing with the Santo Niño at the “Filipino Mardi Gras”11 cited
  • 2020Caribbean Literature in Transition, 1970–202011 cited
  • 2012Speaking in Tongues: Metapictures and the Discourse of Violence in Caribbean Art10 cited
  • 2010Accessories/Accessaries; or, What's in Your Closet?10 cited
  • 2014Cuban Miami on the Air: Narratives of Cubanía

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10 cited
  • 2015“En el vórtice de la enajenación”: Nicolás Guillén Landrián y la implosión del documental científico-popular cubano de los 609 cited
  • 2018Performing race in the Barranquilla Carnival: the case of theNegritasPuloy de Montecristo9 cited