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Dyes in History and Archaeology 41
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Dyes in History and Archaeology 41 (2023)Dyes in History and Archaeology 41Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS) (2019)Seeing red: towards an improv…A diagnostic study on folium and orchil dyes with non-invasive and micro-destructive methods (2015)A diagnostic study on folium …Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Combining SERS and microspect…Tyrian Purple: The First Four Thousand Years (2013)Tyrian Purple: The First Four…Indigo carmine: Understanding a problematic blue dye (2012)Indigo carmine: Understanding…First analytical evidences of precious colourants on Mediterranean illuminated manuscripts (2012)First analytical evidences of…A Comparative Investigation of Hydrolysis Methods to Analyze Natural Organic Dyes by HPLC-PDA - Nine Methods, Twelve Biological Sources, Ten Dye Classes, Dyed Yarns, Pigments and Paints (2011)A Comparative Investigation o…Towards the identification of dyestuffs in Early Iron Age Scandinavian peat bog textiles (2009)Towards the identification of…Negative ion ESI–MS analysis of natural yellow dye flavonoids—An isotopic labelling study (2008)Negative ion ESI–MS analysis …THE ANALYSIS OF DYESTUFFS FROM FIRST‐ TO SECOND‐CENTURY TEXTILE ARTEFACTS FOUND IN THE MARTRES‐DE‐VEYRE (FRANCE) EXCAVATIONS* (2005)THE ANALYSIS OF DYESTUFFS FRO…Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Identification of the Pre-Col…Chromatographic Investigation of Dyes Extracted from Coptic Textiles from the National Museum in Warsaw (2004)Chromatographic Investigation…The analysis of medieval European manuscripts (2001)The analysis of medieval Euro…Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Fiber Optics Reflectance Spec…An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)An Improved Dye and Lake Pigm…Pigment identification on medieval manuscripts by Raman microscopy (1995)Pigment identification on med…Mappae Clavicula: A Little Key to the World of Medieval Techniques (1974)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Organic dyes in illuminated manuscripts: a unique cultural and historic record (2016)The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia (2017)Microspectrofluorimetry and chemometrics for the identification of medieval lake pigments (2018)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Non invasive analysis of miniature paintings: Proposal for an analytical protocol (2012)‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Development of Mild Extraction Methods for the Analysis of Natural Dyes in Textiles of Historical Interest Using LC-Diode Array Detector-MS (2005)The Colourful Past - Origins, Chemistry and Identification of Natural Dyestuffs (2005)Novel methodology for the extraction and identification of natural dyestuffs in historical textiles by HPLC–UV–Vis–ESI MS. Case study: chasubles from the Wawel Cathedral collection (2010)Old Textiles – New Possibilities (2010)Dyes of late Bronze Age textile clothes and accessories from the Yanghai archaeological site, Turfan, China: Determination of the fibers, color analysis and dating (2014)Technical Studies in the Field of the Fine Arts (1977)National Gallery Technical Bulletin (1979)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)Pigment Identification by Fiber-Optics Diffuse Reflectance Spectroscopy (2002)Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy (2007)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Modern analytical methods in art and archaeology (2000)On the Raman spectrum of Maya blue (2006)X-Ray Computed Tomography In Situ: An Opportunity for Museums and Restoration Laboratories (2019)Pigments—the palette of organic colourants in wall paintings (2021)Identification of natural dyes in archeological Coptic textiles by liquid chromatography with diode array detection (2003)Liquid chromatography determination of natural dyes in extracts from historical Scottish textiles excavated from peat bogs (2005)Comparison of extraction methods for the analysis of natural dyes in historical textiles by high-performance liquid chromatography (2009)Painting Materials: A Short Encyclopedia (2011)The materials and techniques of medieval painting (1956)Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Indigo, woad, and Tyrian Purple: important vat dyes from antiquity to the present (1993)Raman microscopy in art history and conservation science (2001)Surface‐enhanced Raman spectroscopy spectra of Mexican dyestuffs (2012)Handheld XRF for Art and Archaeology (2013)High-performance liquid chromatography and non-destructive three-dimensional fluorescence analysis of early synthetic dyes (2007)Trends in High Performance Liquid Chromatography for Cultural Heritage (2016)HPLC-DAD and HPLC-ESI-Q-ToF characterisation of early 20th century lake and organic pigments from Lefranc archives (2017)Photo-oxidation processes of Rhodamine B: A chromatographic and mass spectrometric approach (2018)Towards the identification of characteristic minor components from textiles dyed with weld (Reseda luteola L.) and those dyed with Mexican cochineal (Dactylopius coccus Costa) (2007)Historical and archaeological textiles: An insight on degradation products of wool and silk yarns (2011)Historical textile dyeing with Genista tinctoria L.: a comprehensive study by UPLC-MS/MS analysis (2014)The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry (2017)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Exploring the transition from natural to synthetic dyes in the production of 19th-century Central Asian ikat textiles (2020)Non-invasive study of natural dyes in textiles of the Qing Dynasty using fiber optic reflectance spectroscopy (2020)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)
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  • 1996An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector108 cited
  • 2009Towards the identification of dyestuffs in Early Iron Age Scandinavian peat bog textiles102 cited
  • 2019Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS)98 cited
  • 2001Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings95 cited
  • 2014Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations87 cited
  • 2008Negative ion ESI–MS analysis of natural yellow dye flavonoids—An isotopic labelling study87 cited
  • 2012First analytical evidences of precious colourants on Mediterranean illuminated manuscripts79 cited
  • 2004Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques71 cited
  • 1995Pigment identification on medieval manuscripts by Raman microscopy71 cited
  • 2012Indigo carmine: Understanding a problematic blue dye69 cited
  • 2011A Comparative Investigation of Hydrolysis Methods to Analyze Natural Organic Dyes by HPLC-PDA - Nine Methods, Twelve Biological Sources, Ten Dye Classes, Dyed Yarns, Pigments and Paints68 cited
  • 2001The analysis of medieval European manuscripts

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68 cited
  • 2004Chromatographic Investigation of Dyes Extracted from Coptic Textiles from the National Museum in Warsaw60 cited
  • 2015A diagnostic study on folium and orchil dyes with non-invasive and micro-destructive methods58 cited
  • 2013Tyrian Purple: The First Four Thousand Years52 cited
  • 2005THE ANALYSIS OF DYESTUFFS FROM FIRST‐ TO SECOND‐CENTURY TEXTILE ARTEFACTS FOUND IN THE MARTRES‐DE‐VEYRE (FRANCE) EXCAVATIONS*50 cited