Performance in a time of terror: Critical mimesis and the age of uncertainty

Abstract

Contents Acknowledgements Illustrations Prologue: A race across the desert 1 Searching for a politics of performance in an age of uncertainty 2 A beheading in Iraq: Medusa, the mirror and a performance of exception 3 Counterinsurgency performance in Northern Ireland: street-crowd-balcony-scenes and the ob-scene 4 A crisis of voice: democratic performance on the London stage 5 Camping up and camping out as antiwar protest performance 6 Performance, counterterrorism and community: cops, neighbours, lovers and double agents Epilogue: Critical mimesis, refuse and waste References

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