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Cited by

• 2010Sharing music files: Tactics of a challenge to the industry46 cited
• 2021Remix’s retreat? Content moderation, copyright law and mashup music42 cited
• 2014Theoretical Approaches to Quotation in Hip-Hop Recordings37 cited
• 2018Copyright and the Value of Performance, 1770–191135 cited
• 2015The sounds of latinidad: immigrants making music and creating culture in a southern city34 cited
• 2014Rhymin' and stealin': musical borrowing in hip-hop32 cited
• 2017In Search of the Golden Age Hip-Hop Sound (1986–1996)25 cited
• 2017Why Do Good People Steal Intellectual Property?23 cited
• 2016Assessing Domestic vs. International Student Perceptions and Attitudes of Plagiarism20 cited
• 2015From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign18 cited
• 2014“Fair use is legal use”: Copyright negotiations and strategies in the fan-vidding community18 cited
• 2015Producing a meaningful difference: The significance of small creative acts in composing within online participatory remix practices15 cited
• 2012It takes a little lawsuit: The flowering garden of Bollywood exoticism in the age of its technological reproducibility14 cited