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Cited by

• 2006That the Mothers May Soar and the Daughters May Know Their Names: A Retrospective of Black Feminist Literary Criticism76 cited
• 2006RELOCATING AMERICAN FILM HISTORY71 cited
• 2016Girls will be boys: cross-dressed women, lesbians, and American cinema, 1908-193444 cited
• 2008The ‘Reol’ Story: Race Authorship and Consciousness in Robert Levy's Reol Productions, 1921–192639 cited
• 2009Eudora Welty Goes to the Movies: Modernism, Regionalism, Global Media38 cited
• 2012The Exorbitant Lightness of Bodies, or How to Look at Superheroes: Ilinx, Identification, and Spider-Man30 cited
• 2018Rassismus im Film28 cited
• 2013Waiting to Fall19 cited
• 2011Surveillance Cinema: Narrative between Technology and Politics19 cited
• 2010Hollywood, Black Animation, and the Problem of Representation in Little Ol’ Bosko and The Princess and the Frog16 cited
• 2011Why Did Negroes Love Al Jolson and The Jazz Singer?: Melodrama, Blackface and Cosmopolitan Theatrical Culture15 cited
• 2015“The Brown Bag of Miscellany”: Zora Neale Hurston and the Practice of Overexposure12 cited
• 2013Disney's most notorious film: race, convergence, and the hidden histories of Song of the South12 cited
• 2012Audiences