Curating Difficult Knowledge: Violent Pasts in Public Places

Abstract

List of Illustrations List of Maps Acknowledgements Notes on Contributors Introduction: Witnesses to Witnessing E.Lehrer & C.E.Milton PART I: BEARING WITNESS BETWEEN MUSEUMS AND COMMUNITIES 'We were so far away': Exhibiting Inuit Oral Histories of Residential Schools H.Igloliorte The Past is a Dangerous Place: the Museum as a Safe Haven V.Szekeres Teaching Tolerance through Objects of Hatred: The Jim Crow Museum of Racist Memorabilia as 'Counter-Museum' M.E.Patterson Politics of the Past: Remembering the Rwandan Genocide at the Kigali Memorial Center A.Sodaro PART II: VISUALIZING THE PAST Living Historically through Photographs in Post-Apartheid South Africa: Reflections on Kliptown Museum, Soweto D.Newbury Showing and Telling: Photography Exhibitions in Israeli Discourses of Dissent T.Katriel Visualizing Apartheid: Re-framing Truth and Reconciliation through Contemporary South African Art E.Mosely PART III: MATERIALITY AND MEMORIAL CHALLENGES Points of No Return: Cultural Heritage and Counter-Memory in Post-Yugoslavia A.Herscher Defacing Memory: (Un)tying Peru's Memory Knots C.E.Milton (Mis)representations of the Jewish Past in Poland's Memoryscapes: Nationalism, Religion and Political Economies of Commemoration S.Kapralski Afterward: The Turn to Pedagogy: a Needed Conversation on the Practice of Curating Difficult Knowledge R.I.Simon Index

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 66 citations exist upstream.