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“Mek Some Noise”Gospel Music and the Ethics of Style in Trinidad
0 references·15 citing·38 second hop
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  • 2011Singing Heaven Down to Earth: Spiritual Journeys, Eschatological Sounds, and Community Formation in Evangelical Conference Worship26 cited
  • 2021Towards practice research in ethnomusicology24 cited
  • 2014Hearing the Hillsong Sound: Music, Marketing, Meaning and Branded Spiritual Experience at a Transnational Megachurch22 cited
  • 2014BollywoodBhajans: Style as ‘Air’ in an Indian-Guyanese Twice-migrant Community16 cited
  • 2009Right Singing in Estonian Orthodox Christianity: A Study of Music, Theology, and Religious Ideology15 cited
  • 2007"Localize It": Rock, Cosmopolitanism, and the Nation in Trinidad15 cited
  • 2013Musicians and the politics of dignity in South India14 cited
  • 2016Multiple Authenticities in Motion: Styles and Stances in SikhSabad Kīrtan9 cited
  • 2011Binding and Loosing in Song: Conflict, Identity, and Canadian Mennonite Music9 cited
  • 2014The Ritualization of the Self in Ghanaian Gospel Music9 cited
  • 2021Music for Others6 cited
  • 2019Transcending Distinctions between Religious and Secular Musicianship: Nigerian Pentecostals across Popular Performance Settings5 cited
  • 2018A Century and a Half of Scholarship on Afro-Latin American Music4 cited
  • 2013Claiming Caribbeanness in the Brazilian Amazon:Lambada, Critical Cosmopolitanism, and the Creation of an Alternative Amazon

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3 cited
  • 2010Response to Rice3 cited