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Ilmatar's Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music
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  • 2009The Influence of Conservatory Folk Music Programmes: The Sibelius Academy in Comparative Context30 cited
  • 2016Pedagogical challenges in folk music teaching in higher education: a case study of Hua’er music in China26 cited
  • 2007“Global Folk Music” Fusions: The Reification of Transnational Relationships and the Ethics of Cross-Cultural Appropriations in Finnish Contemporary Folk Music24 cited
  • 2011Key Factors in the Sustainability of Languages and Music: A Comparative Study23 cited
  • 2012Keeping Sweden Swedish: Folk Music, Right-Wing Nationalism, and the Immigration Debate20 cited
  • 2015Navigating (un)popular music in the classroom : censure and censorship in an inclusive, democratic music education14 cited
  • 2020Silencing the Other’s Voice?9 cited
  • 2017Advocating Contemporary Traditional Indigenous Semai Music through an Exploration of Youth Interest8 cited
  • 2012Not So Silent Night: Tradition, Transformation and Cultural Understandings of Christmas Music Events in Helsinki, Finland7 cited
  • 2006Re-creation, re-shaping, and renewal among contemporary Swedish folk singers : attitudes toward ‘tradition’ in vocal folk music revitalization7 cited
  • 2007(De)constructing Yiddishland: Solomon and SoCalled'sHipHopKhasene7 cited
  • 2006The Quiet Past and the Loud Present: the Kalevala and Heavy Metal7 cited
  • 2012

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Oral/Aural Culture in Late Modern Society?: Traditional Singing as Professionalized Genre and Oral-Derived Expression
6 cited
  • 2007Déjà Vu? Folk Music, Education, and Institutionalization in Contemporary England6 cited
  • 2017Culture and Communication: An Introduction3 cited