The Griffith Project

Abstract

i?Foreword Notes on Contributors D.W. Griffith as a Transitional Filmmaker C.Keil Griffith's Vaudeville Years (1900--1903), the Dramatic Sketch, and the Biograph One- and Two-Reeler D.Mayer D.W. Griffith: Re-Interpreting the Biograph Copyright Evidence in Paper Print Fragments and Copyright Catalog Records at the Library of Congress P.Loughney Crosscutting, a Programmed Language A.Gaudreault & P.Gauthier Out On Location: D.W. Griffith and Fort Lee R.Koszarski Microbes, Animals, and Humans: The Escape and the Politics of Undesirable Breeding J.Olsson O Femme Etonnante!: Women in D.W. Griffith's Films J.Jesionowski On the Endings of The Birth of a Nation and Intolerance: Some Complementary Notes H.Farber The Judean and French Sections of Intolerance A.Lennig Robespierre Has Been Lost: Movies and the Soviet 1920s Y.Tsivian Surprised by Blackface: D.W. Griffith, Blackface and One Exciting Night L.Williams Rough Trade on Ivar Boulevard: Griffith Meets Sam Fuller R.Merritt Supervised by D.W. Griffith? A Checklist of Reliance, Majestic and Komic Films Released by Mutual From 30 November 1913 to 7 November 1915 P.Spehr Corrections and Additions to Volumes 1--11 W.M.Drew, L.Jacobs, C.Keil, D.Mayer & R.Merritt Bibliography

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 17 citations exist upstream.