SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Views of difference : different views of art
0 references·4 citing·14 second hop
Views of difference : different views of art (1999)Views of difference : different views of …From the Perspective of Musicians in Goa: How Has Tourism Changed Music Culture? (2014)From the Perspective of Music…Subverting Visual Discourses of Gender and Geography: Kent Monkman's Revised Iconography of the American West (2012)Subverting Visual Discourses …‘The Myriad-Pencil of the Photographer’: Seeing, Mapping and Situating Burma in 1855 (2010)‘The Myriad-Pencil of the Pho…Pushing back frontiers: Towards a history of art in a global perspective (2003)Pushing back frontiers: Towar…Time and the Other: How Anthropology Makes Its Object (1983)Imperial Eyes: Travel Writing and Transculturation. (1993)Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2012)The Historical Visual Economy of Photography in Burma (2014)Art history and its methods: a critical anthology (1996)Art and its histories : contemporary cultures of display (1999)“Orientalism - Western Conceptions of the Orient” (2012)The Rhetoric of Empire (1993)Images in Advertising: The Need for a Theory of Visual Rhetoric (1994)The ecocriticism reader : landmarks in literary ecology (1996)Increasing returns, monopolistic competition, and international trade (1979)Flow: The Psychology of Optimal Experience (1991)Development as Freedom (1999)IT SOUNDS BETTER IN THE BAHAMAS (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014From the Perspective of Musicians in Goa: How Has Tourism Changed Music Culture?8 cited
  • 2012Subverting Visual Discourses of Gender and Geography: Kent Monkman's Revised Iconography of the American West8 cited
  • 2010‘The Myriad-Pencil of the Photographer’: Seeing, Mapping and Situating Burma in 18555 cited
  • 2003Pushing back frontiers: Towards a history of art in a global perspective4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work