Fictions and Fakes: Forging Romantic Authenticity, 1760-1845

Margaret Russett

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Historical and Literary Analyses Literary Theory and Cultural Hermeneutics Narrative Theory and Analysis

Abstract

Introduction 1. From fake to fiction: toward a Romantic theory of imposture 2. Chatterton's primal scene of writing 3. Unconscious plagiarism: from 'Christabel' to the Lay of the Last Minstrel 4. The delusions of Hope 5. The 'Caraboo' hoax: Romantic woman as mirror and mirage 6. Clare Byron 7. The Gothic violence of the letter Bibliography.

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2019The Satanic School 2012Walter Scott, James Hogg, and Scottish Gothic 2020The Ephemeral Eighteenth Century 2020Print and Performance in the 1820s 2010Unauthorized Identities: The Impostor, the Fake and the Secret History in Nineteenth-Century Britain 2009The problem of periodization: Enlightenment, Romanticism and the fate of system

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