SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The New York concert saloon, 1864-1884: the devil's own nights
0 references·3 citing·11 second hop
The New York concert saloon, 1864-1884: the devil's own nights (2003)The New York concert saloon, 1864-1884: t…‘A Very Good Act for an Unimportant Place’ (2015)‘A Very Good Act for an Unimp…Closing Time: Langston Hughes and the Poetics of Harlem Nightlife (2008)Closing Time: Langston Hughes…SLAPSTICK AND MIS‐REMEMBRANCE (2007)SLAPSTICK AND MIS‐REMEMBRANCETECHNICS AND CIVILIZATION (1937)The cultural front: the laboring of American culture in the twentieth century (1997)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (1999)Discipline and Punish: The Birth of the Prison. (1978)Yearning: Race, Gender, and Cultural Politics (1990)3.2. MARXISM AND LITERATURE (2006)Ruminations on Lo Sucio as a Latino Queer Analytic (2014)“Time Enough, but None to Spare”: The Indispensable Temporalities of Charles Chesnutt’s The Marrow of Tradition (2019)Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory (2003)The Companion Species Manifesto : Dogs, People, and Significant Otherness (2003)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2008Closing Time: Langston Hughes and the Poetics of Harlem Nightlife26 cited
  • 2007SLAPSTICK AND MIS‐REMEMBRANCE4 cited
  • 2015‘A Very Good Act for an Unimportant Place’3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work