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World Music and the Global Music Industry: Flows, Corporations and Networks
15 references·2 citing·33 second hop
World Music and the Global Music Industry: Flows, Corporations and Networks (2009)World Music and the Global Music Industry…World Music: A Very Short Introduction (2020)World Music: A Very Short Int…The Global Circulation of African Fashion (2010)The Global Circulation of Afr…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…The World Intellectual Property Organization:Resurgence and the development agenda (2007)The World Intellectual Proper…Rethinking the music industry (2007)Rethinking the music industryPostmodernism and Globalization in Ethnomusicology: An Epistemological Problem (2002)Postmodernism and Globalizati…The ‘local’ and ‘global’ in popular music (2001)The ‘local’ and ‘global’ in p…Nationalists, cosmopolitans, and popular music in Zimbabwe (2001)Nationalists, cosmopolitans, …Mande music: traditional and modern music of the Maninka and Mandinka of western Africa (2001)Mande music: traditional and …A Sweet Lullaby for World Music (2000)A Sweet Lullaby for World Mus…Global Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Discipline and Punish: The Birth of the Prison. (1996)Discipline and Punish: The Bi…Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Bi…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …World Music and the Black Atlantic (2020)World Music and the Black Atl…Cuban Music Is African Music (2020)Cuban Music Is African MusicThe Predicament of Culture (1988)Mimesis and alterity: a particular history of the senses (1993)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Visible Evidence of Cultural Producers (2000)Transidiomatic practices: Language and power in the age of globalization (2005)Soundscapes: Toward a Sounded Anthropology (2010)The Cambridge Companion to Pop and Rock (2001)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Discourse Analysis as Theory and Method (2002)Migrant “Illegality” and Deportability in Everyday Life (2002)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Manifesto for a Relational Sociology (1997)Congolese Rumba and Other Cosmopolitanisms (2002)Sounds of Power: An Overview of Musical Instruments and Gender (2008)Critical Postcolonial Dance Pedagogy: The Relevance of West African Dance Education in the United States (2010)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)World music: deterritorializing place and identity (2004)Coloniality of Power in Postcolonial Africa. Myths of Decolonization (2013)
this work references cited by second hop

References

  • 1978Discipline and Punish: The Birth of the Prison.19,201 cited
  • 1996Discipline and Punish: The Birth of the Prison.15,361 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2000A Sweet Lullaby for World Music406 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 2007Rethinking the music industry261 cited
  • 2001Nationalists, cosmopolitans, and popular music in Zimbabwe212 cited
  • 2001Mande music: traditional and modern music of the Maninka and Mandinka of western Africa211 cited
  • 2020World Music: A Very Short Introduction199 cited
  • 2007The World Intellectual Property Organization:Resurgence and the development agenda57 cited
  • 2010The Global Circulation of African Fashion52 cited
  • 2001The ‘local’ and ‘global’ in popular music43 cited
  • 2002Postmodernism and Globalization in Ethnomusicology: An Epistemological Problem21 cited

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  • 2020Cuban Music Is African Music

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14 cited
  • 2020World Music and the Black Atlantic10 cited