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The Musicalization of Fiction.A Study in the Theory and History of Intermediality.
0 references·16 citing·53 second hop
The Musicalization of Fiction.A Study in the Theory and History of Intermediality. 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The Changing Media of Music Criticism (2019)Story and Discourse. Narrative Structure in Fiction and Film (1980)Intermediality as Cultural Literacy and Teaching the Graphic Novel (2011)Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality (2011)(Inter)mediality and the Study of Literature (2014)Morphology of the folktale (1958)Story and Discourse: Narrative Structure in Fiction and Film (1979)Reading images: the grammar of visual design (1996)17 Narratology and Media(lity): The Transmedial Expansion of a Literary Discipline and Possible Consequences [2011] (2017)Narrative and interpretation on Twitter: Reading tweets by telling stories (2017)Visual storytelling on Instagram: branded photo narrative and the role of telepresence (2020)The role of transportation in the persuasiveness of public narratives. (2000)Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters (2001)Understanding Media Enjoyment: The Role of Transportation Into Narrative Worlds (2004)Portrayals of Intimate Partner Violence in Music Videos: Effects on Perceptions of IPV Warning Signs (2017)The effect of visual and musical suspense on brain activation and memory during naturalistic viewing (2017)Universal stories: How narratives satisfy core motives (2018)Literature and the Arts (1971)The Musicalization of Fiction (1999)Génesis semiótica de la intermedialidad: fundamentos cognitivos y socio-constructivistas de la comunicación (2011)Ekphrasis and Adaptation (2017)Intersemiotic Translation, Cognitive Artefact, and Creativity (2019)Orality and Literacy (1982)Introducing Social Semiotics (2004)Multimodality: A Social Semiotic Approach to Contemporary Communication (2009)Mediality and materiality of contemporary comics (2016)E-Graphic Novels (2018)The Cambridge History of the Graphic Novel (2018)Empire and Communications. By H. A. Innis. Oxford: At the Clarendon Press [Toronto: Oxford University Press]. 1950. Pp. 230. $3.25. (1951)Closing statement : Linguistics and poetics (1960)Understanding Media: The Extensions of Man (1964)Bridging the gap between image and metaphor through cross-modal iconicity (2017)Learning and knowing as semiosis: Extending the conceptual apparatus of semiotics (2020)The Challenge of Postdigital Literacy: Extending Multimodality and Social Semiotics for a New Age (2023)Le pacte autobiographique (1977)The Law of Genre (1980)Reading autobiography: a guide for interpreting life narratives (2011)‘A Man of Violent and Ungovernable Temper’: Can Fiction Fill Silences in the Archives? (2019)Afterlives of the Roman Poets (2019)Afterlives of the Roman Poets: Biofiction and the Reception of Latin Poetry (2019)Unheard melodies: narrative film music (1988)Culture and Imperialism. (1994)The New Grove dictionary of music and musicians (2001)HD Opera: A Love/Hate Story (2011)The Cambridge Companion to Opera Studies (2012)Opera's Screen Metamorphosis: The Survival of a Genre or a Matter of Translation? (2014)Storyworlds across Media: (2017)The Modalities of Media II: An Expanded Model for Understanding Intermedial Relations (2020)
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  • 2016A medium-centered model of communication87 cited
  • 2010When Opera Meets Film81 cited
  • 2015Distinguishing Mediality: The Problem of Identifying Forms and Features of Digital Comics71 cited
  • 2011Opera in the Novel from Balzac to Proust52 cited
  • 2017Experiments in Life-Writing: Introduction48 cited
  • 2013Effects of Film Music on Psychological Transportation and Narrative Persuasion44 cited
  • 2009Metadaptation: Adaptation and Intermediality Cock and Bull36 cited
  • 2021Intermedial Studies36 cited
  • 2005Transforming Musical Sounds into Words: Narrative Method in Virginia Woolf's The Waves33 cited
  • 2017Transfer of Media Characteristics among Dissimilar Media32 cited
  • 2005The How of Literature

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29 cited
  • 2017Transmedial Narratology Revisited: On the Intersubjective Construction of Storyworlds and the Problem of Representational Correspondence in Films, Comics, and Video Games26 cited