Coughing and Clapping: Investigating Audience Experience

Abstract

Contents: Prelude. Section 1 Before The Event: Preparing and Anticipating: Marketing live music, Daragh O'Reilly, Gretchen Larsen and Krzysztof Kubacki Musical, social and moral dilemmas: investigating audience motivations to attend concerts, Stephanie Pitts Safe and sound: audience experience in new venues for popular music performance, Robert Kronenburg. Section 2 During The Event: Listening and Connecting: Interlude - audience members as researchers, Stephanie Pitts and Karen Burland The value of 'being there': how the live experience measures quality for the audience, Jennifer Radbourne, Katya Johanson and Hilary Glow In the heat of the moment: audience real time response to music and dance performance, Catherine J. Stevens, Roger T. Dean, Kim Vincs and Emery Schubert Texting and tweeting at live music concerts: flow, fandom and connecting with other audiences through mobile phone technology, Lucy Bennett Moving the gong: exploring the contexts of improvisation and composition, Karen Burland and Luke Windsor (with Christophe de Bezenac, Matthew Bourne, Petter Frost Fadnes and Nick Katuszonek) Context, cohesion and community: characteristics of festival audience members' strong experiences with music, Sidsel Karlsen Interlude - lasting memories of ephemeral events, Karen Burland and Stephanie Pitts 'The gigs I've gone to': mapping memories and places of live music, Sara Cohen Warts and all: recording the live music experience, Paul Long Staying behind: explorations in post-performance musician-audience dialogue, Melissa C. Dobson and John Sloboda. Postlude, Karen Burland and Stephanie Pitt. References Index.

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