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The "Baby Dolls": breaking the race and gender barriers of the New Orleans Mardi Gras tradition
16 references·0 citing·38 second hop
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References

  • 1990An outline of intersubjectivity: The development of recognition.422 cited
  • 2011At the dark end of the street: black women, rape, and resistance--a new history of the civil rights movement from Rosa Parks to the rise of black power297 cited
  • 2002Marketing Mardi Gras: Commodification, Spectacle and the Political Economy of Tourism in New Orleans227 cited
  • 1986Female Grotesques: Carnival and Theory219 cited
  • 1969Jazz Dance: The Story of American Vernacular Dance205 cited
  • 1985Fashion and eroticism : ideals of feminine beauty from the Victorian era to the Jazz Age110 cited
  • 1978Treat it gentle : an autobiography92 cited
  • 2000Cassell's Dictionary of Slang77 cited
  • 1951Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz"71 cited
  • 1988Mardi Gras Indians: Carnival and Counter-Narrative in Black New Orleans63 cited
  • 2005Striptease: the untold history of the girlie show53 cited
  • 1953Negro Folk Expression: Spirituals, Seculars, Ballads and Work Songs51 cited
  • 1994Behind the Lines: The Black Mardi Gras Indians and the New Orleans Second Line44 cited
  • 1998Buddy Bolden and the last days of Storyville43 cited
  • 1993Carnival and the Law in New Orleans

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  • 1998Conversation with the blues24 cited
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