Making a New Man: Ciceronian Self-Fashioning in the Rhetorical Works

Abstract

Introduction 1. EPIDEIXIS, TEXTUALITY, AND SELF-FASHIONING IN THE PRO ARCHIA AND IN PISONEM 2. FASHIONING THE IDEAL ORATOR: THEATRICALITY AND TRANSGRESSIVE AESTHETICS IN THE DE ORATORE 1. 'Writing' the Ideal Orator 2. Julius Caesar Strabo and Cicero's Self-Fashioning through Transgressive Aesthetics 3. Body and Style: Putting the Ideal Orator Together 3. THE BRUTUS: CICERO'S 'RHETORICAL' HISTORY 4. Caesarian Intertexts 5. History, Irony, and Autobiography in the Brutus 6. Varieties of Virtus: Brutus in the Brutus 4. THE ORATOR: FASHIONING A CICERONIAN SUBLIME 7. The Orator's Intellectual, Personal, and Political Contexts 8. Style and the Self, Text and the Body 9. Making Your Mark: Written Ingenium in the Brutus and the Orator Conclusion Cicero and Demosthenes in 'Longinus': The Ciceronian Sublime

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