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Music at the Court of Burgundy, 1364-1419, a Documentary History
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  • 1990The peace of 1360–1369 and Anglo-French musical relations58 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 1982"Pseudo-Augmentation" in the Manuscript Bologna, Civico Museo Bibliografico Musicale, Q 15 (BL)50 cited
  • 2000Urban minstrels in late medieval southern France: opportunities, status and professional relationships48 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1989Machaut's Role in the Production of Manuscripts of His Works31 cited
  • 1984Musical Careers, Ecclesiastical Benefices, and the Example of Johannes Brunet30 cited
  • 2013The musical sounds of medieval French cities: players, patrons, and politics26 cited
  • 2015Quotation, perfection and the eloquence of form: introducingBeatius/Cum humanum21 cited
  • 1986"In hydraulis" Revisited: New Light on the Career of Antoine Busnois21 cited
  • 2012The performer and the composer10 cited
  • 1999Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 1987New light on Oswald von Wolkenstein: central European traditions and Burgundian polyphony6 cited

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  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited