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The Cambridge Companion to Eighteenth-Century Opera
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The Cambridge Companion to Eighteenth-Century Opera (2009)The Cambridge Companion to Eighteenth-Cen…9781000510539.pdf (2021)9781000510539.pdfBeyond the Gilded Stage: Operatic Maestri and Instrumental Music in Late Eighteenth-Century Naples (2018)Beyond the Gilded Stage: Oper…The rival sirens: performance and identity on Handel's operatic stage (2014)The rival sirens: performance…Romantic Empowerment at the Paris Opera in the 1770s and 1780s (2013)Romantic Empowerment at the P…Moliere, Descartes, and the Practice of Comedy in the Intermezzo (2013)Moliere, Descartes, and the P…Futures Past: On the Semantics of Historical Time. (1987)Inventing the barbarian: Greek self-definition through tragedy (1990)The Practice of Conceptual History: Timing History, Spacing Concepts (2002)Opéra-comique on the Eve of Revolution: Dalayrac's Sargines and the Development of “Heroic” Comedy (2015)Dizionario biografico degli italiani (1960)Radical Enlightenment: Philosophy and the Making of Modernity 1650-1750 (2001)A Theory of Adaptation (2006)Versuch einer Anleitung zur Composition (1969)Music in the Galant Style (2007)The Art of Partimento: History, Theory, and Practice (2012)Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture (2020)The Family, Sex and Marriage in England, 1500-1800 (1978)The Foul and the Fragrant: Odor and the French Social Imagination (1988)The imaginary museum of musical works: an essay in the philosophy of music (1993)The History of Sexuality (1976)Discipline and Punish: The Birth of the Prison. (1978)Gender Trouble: Feminism and the Subversion of Identity (1991)From Amelia to Calista and Beyond: Sentimental Heroines, ‘Fallen’ Women and Handel’s Oratorio Revisions for Susanna Cibber (2015)Performing Sovereignty, Sounding Autonomy: Political Representation in the Operas of Maria Antonia of Saxony (2015)Ways to Possess a Singer in 1830s London (2017)
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  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2013Romantic Empowerment at the Paris Opera in the 1770s and 1780s5 cited
  • 20219781000510539.pdf3 cited
  • 2013Moliere, Descartes, and the Practice of Comedy in the Intermezzo2 cited
  • 2018Beyond the Gilded Stage: Operatic Maestri and Instrumental Music in Late Eighteenth-Century Naples2 cited

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