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Theatergesang und darstellende Musik in der italienischen Renaissance : (15 und 16. Jahrhundert)
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Theatergesang und darstellende Musik in der italienischen Renaissance : (15 und 16. Jahrhundert) (1969)Theatergesang und darstellende Musik in d…‘La contenance italienne’: the motets on Beata es Maria by Compère, Obrecht and Brumel (1992)‘La contenance italienne’: th…Tradition and Innovation in Jewish Music of the Later Renaissance (1989)Tradition and Innovation in J…Berlioz and the "First Opera" (1979)Berlioz and the "First Opera"Music and Spectacle at the Gonzaga Court, c. 1580–1600 (1976)Music and Spectacle at the Go…A Note on Isaac's "Quis dabit capiti meo aquam" (1974)A Note on Isaac's "Quis dabit…Italian Renaissance Studies (1961)Les manuscrits d’Ange Politien (1965)The Musical Chapels at the Florentine Cathedral and Baptistry During the First Half of the 16th Century (1971)Composing Community in Late Medieval Music (2019)TEMPERAMENTS AND TENDENCIES IN THE FLORENTINE CAMERATA (1954)Spiritual and Demonic Magic: From Ficino to Campanella (1958)The ancient theology: studies in Christian Platonism from the fifteenth to the eighteenth century (1972)In Search of Jewish Musical Antiquity in the 18th-Century Venetian Ghetto: Reconsidering the Hebrew Melodies in Benedetto Marcello's "Estro Poetico-Armonico" (2002)Renaissance Quarterly (2016)The New Grove Dictionary of Music and Musicians (1981)Music in Late Medieval Bruges (1986)The New Grove dictionary of music and musicians (2001)Memoirs of Hector Berlioz (1935)Source Readings in Music History (1950)The Italian Madrigal (2019)
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Cited by

  • 1974A Note on Isaac's "Quis dabit capiti meo aquam"7 cited
  • 1989Tradition and Innovation in Jewish Music of the Later Renaissance4 cited
  • 1976Music and Spectacle at the Gonzaga Court, c. 1580–16003 cited
  • 1992‘La contenance italienne’: the motets on Beata es Maria by Compère, Obrecht and Brumel3 cited
  • 1979Berlioz and the "First Opera"3 cited

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