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The Artist's Handbook
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The Artist's Handbook (1987)The Artist's HandbookInsights into the yellowing of drying oils using fluorescence spectroscopy (2020)Insights into the yellowing o…Discovering Giuseppe Capogrossi: Study of the Painting Materials in Three Works of Art Stored at Galleria Nazionale (Rome) (2020)Discovering Giuseppe Capogros…Reconstructing Van Gogh’s palette to determine the optical characteristics of his paints (2018)Reconstructing Van Gogh’s pal…Detecting art forgeries using LA-ICP-MS incorporating the in situ application of laser-based collection technology (2005)Detecting art forgeries using…An investigation into three animal glues (1990)An investigation into three a…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3 (1999)Metals in antiquity (1999)Provenance Determination of Oriental Porcelain Using Laser Ablation‐Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS)* (2007)OPLS multivariate regression of FTIR-ATR spectra of acrylic paints for age estimation in contemporary artworks (2019)Scientific foundations and current state of trace evidence—A review (2020)The Artist's Handbook of Materials and Techniques (1940)The Materials and Techniques of Painting (1982)Relative Humidity and the Stress/Strain Response of Canvas Paintings: Uniaxial Measurements of Naturally Aged Samples (1988)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples (2011)Application of Raman Spectroscopy to Ancient Materials: Models and Results from Archaeometric Analyses (2020)The issue of eosin fading: A combined spectroscopic and mass spectrometric approach applied to historical lakes (2020)The Organic Chemistry of Museum Objects (1988)Accelerated Aging, Photochemical and Thermal Aspects (1996)Organic Mass Spectrometry in Art and Archaeology (2009)UV-Excited Fluorescence as a Basis for the In-Situ Identification of Natural Binders in Historical Painting: A Critical Study on Model Samples (2022)Evaluation of Fatty Acid Methyl Esters (FAME) as a Green Alternative to Common Solvents in Conservation Treatments (2024)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Roman Wall Paintings: Characterisation of Plaster Coats Made of Clay Mud (2021)
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  • 2005Detecting art forgeries using LA-ICP-MS incorporating the in situ application of laser-based collection technology38 cited
  • 2018Reconstructing Van Gogh’s palette to determine the optical characteristics of his paints31 cited
  • 2020Insights into the yellowing of drying oils using fluorescence spectroscopy20 cited
  • 1990An investigation into three animal glues14 cited
  • 2020Discovering Giuseppe Capogrossi: Study of the Painting Materials in Three Works of Art Stored at Galleria Nazionale (Rome)14 cited

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