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Cited by

• 2010Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing92 cited
• 2014American Poetic Materialism from Whitman to Stevens34 cited
• 2019Race, Sex, and the Incommensurate:32 cited
• 2015Time, Tense, and American Literature: When Is Now?31 cited
• 2003Domesticating Delphi: Emily Dickinson and the Electro-Magnetic Telegraph27 cited
• 2017Cross-Cultural Reader Response to Original and Translated Poetry: An Empirical Study in Four Languages26 cited
• 1997What American Renaissance? The Gendered Genealogy of a Critical Discourse25 cited
• 2019What Survives23 cited
• 2014Herman Melville’s Fejee Mermaid, or A Confidence Man at the Lyceum20 cited
• 2005"A Mania for Composition": Poe's Annus Mirabilis and the Violence of Nation-building19 cited
• 2005Evading the Pit and the Pendulum: Poe on the Process of Transcendence12 cited
• 2013Lovely Apparitions and Spiritualized Corpses Consumption, Medical Discourse, and Edgar Allan Poe's Female Vampire5 cited
• 2011Soul Sisters and the Sister Arts: Margaret Fuller, Caroline Sturgis, and Their Private World of Love and Art4 cited
• 1985The “Intellectual and Moral Made Visible”: The 1839 Washington Allston Exhibition and Unitarian Taste in Boston