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Grundlage einer Ehrenpforte
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Cited by

  • 2005The Mechanisms of the Music Trade in Central Germany, 1600–4031 cited
  • 2013Hoopskirts, Coffee, and the Changing Musical Prospects of the Bach Women13 cited
  • 2022Rethinking Brahms11 cited
  • 1984Allegorical Music: The "Symbolism" of Tonal Language in the Bach Canons11 cited
  • 1998Alchemy and Counterpoint in an Age of Reason10 cited
  • 1980Dietrich Buxtehude's Studies in Learned Counterpoint5 cited
  • 1987Why did Handel Borrow?5 cited
  • 2006Forqueray Pieces de Viole (Paris, 1747): an enigma of authorship between father and son5 cited
  • 1988Coming of Age in Bohemia: The Musical Apprenticeships of Benda and Gluck3 cited
  • 1987Handel and his Central German Background3 cited
  • 2009The overture-suite, concerto grosso, ripieno concerto andHarmoniemusikin the eighteenth century2 cited

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