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Moving viewers: American film and the spectator's experience
2 references·16 citing·48 second hop
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References

  • 1993Mimesis as Make-Believe: On the Foundations of the Representational Arts.709 cited
  • 1960Hitchcock’S Films Revisited349 cited

Cited by

  • 2016Aesthetics as Philosophy of Perception307 cited
  • 2013How Authors' Minds Make Stories72 cited
  • 2012Art Moods and Human Moods in Narrative Cinema68 cited
  • 2015The emotional experience of films: does Audio Description make a difference?68 cited
  • 2018A psychology of the film67 cited
  • 2009Cinema, Philosophy, Bergman: On Film as Philosophy67 cited
  • 2015Evolution, Cognition, and Performance56 cited
  • 2023Immersion, Identification, and the Iliad56 cited
  • 2016Revisitation: a trans phenomenology of the media image45 cited
  • 2011Wes Anderson, tone and the quirky sensibility41 cited
  • 2015“It feels like there are hooks inside my chest”: The Construction of Narrative Absorption Experiences Using Image Schemata41 cited
  • 2018Characterization and Character Engagement in the Documentary39 cited
  • 2019Empathy and Sympathy: Two Contemporary Models of Character Engagement38 cited
  • 2013

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“Run for it!”: Viewers’ participatory responses to film narratives.
36 cited
  • 2020Do dark personalities prefer dark characters? A personality psychological approach to positive engagement with fictional villainy35 cited
  • 2021Movies on Our Minds33 cited