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Music and Culture in Late Renaissance Italy
0 references·15 citing·23 second hop
Music and Culture in Late Renaissance Italy (2002)Music and Culture in Late Renaissance Ita…The Cambridge History of Sixteenth-Century Music (2019)The Cambridge History of Sixt…Music in the Early Colonial World (2019)Music in the Early Colonial W…Sincerity and Irony in the “Gay” Music of GALA Choruses (2015)Sincerity and Irony in the “G…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Renaissance Novellara: Musical Life in the Gonzaga Hinterland (2010)Renaissance Novellara: Musica…Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590-1612 (2009)Claudio Monteverdi and Sacred…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Camp grounds: style and homosexuality (1994)Gay New York: gender, urban culture, and the making of the gay male world, 1890-1940 (1994)Spaces of Identity (2002)Themes of Social Justice in the Choral Music of Jake Runestad (2018)Music and Patronage in Sixteenth-Century Mantua (1982)Monteverdi: Vespers (1610) (1997)The Cambridge Companion to Monteverdi (2007)Essai Sur la Nature du Commerce en General. (1932)The Science and Art of Renaissance Music (1998)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)EU 7 FP project Governing urban divercity: Creating social cohesion, social mobility and economic performance in today’s hyper-diversified cities (DIVERCITIES) – The case of Warsaw (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Renaissance Polyphony (2020)Encounters with Music in Rudolf II's Prague (2021)
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2009Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590-161236 cited
  • 2010Renaissance Novellara: Musical Life in the Gonzaga Hinterland32 cited
  • 2019Music in the Early Colonial World24 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2015Sincerity and Irony in the “Gay” Music of GALA Choruses5 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited

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