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Cited by

• 2016‘English Vinglish’ and Bollywood: what is ‘new’ about the ‘new woman’?20 cited
• 2017‘A feeling you cannot resist’: Shah Rukh Khan, affect, and the re-scripting of male stardom in Hindi cinema18 cited
• 2021The ‘Good Indian Queer Woman’ and the Family: Politics of Normativity and Travails of (Queer) Representation11 cited
• 2014Bollywood Goes to the Stadium: Gender, National Identity, and Sport Film in Hindi8 cited
• 2014Breaking Western Filmmaking Models: An Unexplored Indian Frame of Film Communication—Evidence From Telugu Cinema7 cited
• 2017A national cinema’s transnational aspirations? Considerations on “Bollywood”6 cited
• 2017The picture is not yet over!: The end credits song sequence in Bollywood5 cited
• 2023‘Papa, I am gay, please, love me’: Politics of censorship and queer representation in Bollywood5 cited
• 2011The ‘Nation’ in Indian Cinema5 cited
• 2016Haiderand the Nation-State: Shakespeare, Bollywood, and Kashmir5 cited
• 2018Screen violence and partition5 cited
• 2011India’s Many Popular Cinemas4 cited
• 2012‘Relationships which have no name’: Family and sexuality in 1970s popular film4 cited
• 2016Religious and National Identity in My Name is Khan