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Aesthetics of opera in the Ancien Régime, 1647-1785
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Cited by

  • 2011Situating opera: period, genre, reception21 cited
  • 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
  • 2015The first frame: theatre space in Enlightenment France17 cited
  • 2015The Music of the Living-Dead15 cited
  • 2017The Sublime and French Seventeenth-Century Theories of the Spectacle: Toward an Aesthetic Approach to Performance14 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2010Lacepède’s Syncretic Contribution to the Debates on Natural History in France Around 18006 cited
  • 2017RAMEAU'S CARTESIAN WONDER4 cited
  • 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment4 cited
  • 2011Marvelous Machines: Revitalizing Enlightenment Opera4 cited
  • 2013Sound and Sensibility in Diderot's 'Le Neveu De Rameau'3 cited
  • 2011Eighteenth-Century French Musical Theatre2 cited
  • 2009Opera in Paris from Campra to Rameau2 cited

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