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Roman monody, cantata, and opera from the circles around Cardinal Montalto
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  • 2011SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO71 cited
  • 2018Women and Music in Sixteenth-Century Ferrara57 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2008Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli'20 cited
  • 2021Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence18 cited
  • 2011The Castrato Meets the Cyborg12 cited
  • 2012The performer and the composer10 cited
  • 1996Acquiring Musicians and Instruments in the Early Baroque: Observations from Mantua7 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2007Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina5 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2020Echoes of Ariadne in the Musical Reception of Ariosto and Tasso4 cited

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  • 2015Music, antiquity and self-fashioning in the Accademia dei Lincei4 cited