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Art Criticism from a Laboratory
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Art Criticism from a Laboratory (1938)Art Criticism from a LaboratoryTechnical Art History and the First Conference on the Scientific Analysis of Works of Art (Rome, 1930) (2017)Technical Art History and the…The roles of X rays and other types of electromagnetic radiation in evaluating paintings for forgery and restoration (2016)The roles of X rays and other…Computational Imaging for Cultural Heritage: Recent developments in spectral imaging, 3-D surface measurement, image relighting, and X-ray mapping (2016)Computational Imaging for Cul…Narrative across Versions: Narratology Meets Genetic Criticism (2013)Narrative across Versions: Na…Changing images: the panels of Saint Mary church, at Tavira, founded at the chapel of Saint Peter, and the problems raised by its restoration and scientific study (2005)Changing images: the panels o…A sociocultural perspective on teacher response: Is there a student in the room? (2000)A sociocultural perspective o…The Amazing Patent on the Radiography of Paintings (1964)The Amazing Patent on the Rad…Review of research in education (1973)Apprenticeship in thinking: cognitive development in social context (1990)Situated Learning: Legitimate Peripheral Participation. (1994)Feedback on second language students' writing (2006)Comparison between PIXE and XRF for applications in art and archaeology (1986)False Impressions: The Hunt for Big-Time Art Fakes (1996)Neutron activation autoradiography and scanning macro-XRF of Rembrandt van Rijn’s Susanna and the Elders (Gemäldegalerie Berlin): a comparison of two methods for imaging of historical paintings with elemental contrast (2015)X-Ray Vision at Work: Seeing Inside Organizational Life (2017)Narrative Discourse: An Essay in Method (1980)The Rhetoric of Fiction (1983)TOWARDS A ‘NATURAL’ NARRATOLOGY (1996)Supersizing Narrative Theory: On Intention, Material Agency, and Extended Mind-Workers (2014)4E Cognition and Eighteenth-Century Fiction (2019)Genetic Criticism (2022)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)When de Prony Met Leonardo: An Automatic Algorithm for Chemical Element Extraction From Macro X-Ray Fluorescence Data (2021)Mixed X-Ray Image Separation for Artworks With Concealed Designs (2022)Looking through Paintings: The Study of Painting Techniques and Materials in Support of Art Historical Research (1999)A Laboratory for Art: Harvard's Fogg Museum and the Emergence of Conservation in America, 1900-1950 (2010)Science and conservation at the British Museum Laboratory (1919-1934) (2021)The trace in the technique: Forensic science and the Connoisseur's gaze (2021)Electromagnetic Techniques Applied to Cultural Heritage Diagnosis: State of the Art and Future Prospective: A Comprehensive Review (2025)Le champ scientifique (1976)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods (2022)
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Cited by

  • 2013Narrative across Versions: Narratology Meets Genetic Criticism74 cited
  • 2000A sociocultural perspective on teacher response: Is there a student in the room?44 cited
  • 2016Computational Imaging for Cultural Heritage: Recent developments in spectral imaging, 3-D surface measurement, image relighting, and X-ray mapping22 cited
  • 1964The Amazing Patent on the Radiography of Paintings22 cited
  • 2017Technical Art History and the First Conference on the Scientific Analysis of Works of Art (Rome, 1930)12 cited
  • 2016The roles of X rays and other types of electromagnetic radiation in evaluating paintings for forgery and restoration11 cited
  • 2005Changing images: the panels of Saint Mary church, at Tavira, founded at the chapel of Saint Peter, and the problems raised by its restoration and scientific study1 cited

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