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The New Monteverdi Companion
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The New Monteverdi Companion (1985)The New Monteverdi CompanionReimagine to Revitalise (2021)Reimagine to RevitaliseApproaching Italiangorgie throughKarnatikbrigha: anessaion intercultural vocal transmission (2019)Approaching Italiangorgie thr…Place, Performance and Identity in Monteverdi’sCombattimento di Tancredi e Clorinda (2017)Place, Performance and Identi…Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli' (2008)Monteverdi, Marenzio, and Bat…Renaissance, Mannerism, Baroque (2005)Renaissance, Mannerism, Baroq…[Reply to Charles S. Brauner] (1994)[Reply to Charles S. Brauner]Claudio Monteverdi's Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype (1992)Claudio Monteverdi's Ordine n…‘Figura poetica molto vaga’: structure and meaning in Rinuccini'sEuridice (1991)‘Figura poetica molto vaga’: …2. Constructions Of Gender In Monteverdi's Dramatic Music (1989)2. Constructions Of Gender In…Orpheus, Ovid and Opera (1988)Orpheus, Ovid and OperaOrpheus (1982)The Orphic poems (1983)Ancient Mystery Cults (1987)The sources and significance of the Orpheus myth inMusica Enchiriadisand Regino of Prüm'sEpistola de harmonica institutione (1999)The Influence of Ovid in Opera (2014)Source Readings in Music History (1950)The Monteverdi companion (1968)Medieval Misogyny and the Invention of Western Romantic Love. (1993)Monteverdi and the End of the Renaissance (1988)Studies in the History of Italian Music and Music Theory (1994)'Se vedesti qui dentro': Monteverdi's 'O Mirtillo, Mirtillo anima mia' and Artusi's Offence (2013)The Italian Madrigal (2019)Monteverdi's Voices (2024)Music and Theatre from Poliziano to Monteverdi (1982)Music and Culture in Italy from the Middle Ages to the Baroque (1984)Die Musik in Geschichte und Gegenwart (1989)Power and display: music in court theatre (2005)Visual Pleasure and Narrative Cinema (1975)In A Different Voice: Psychological Theory And Women's Development (1982)In a Different Voice: Psychological Theory and Women's Development. (1983)American Musicology in the 1990s (1991)‘In Love's harmonious consort’? Penelope and the interpretation ofIl ritorno d'Ulisse in patria (1993)Opera and gender studies (2012)Poetry of grammar and grammar of poetry (1968)Poetry of Grammar and Grammar of Poetry (1981)Rinuccini the craftsman: A view of his L'Arianna (1999)P. Vergili Maronis Opera (2010)The Civilization of the Renaissance in Italy (1946)The Economy of Europe in an Age of Crisis, 1600–1750 (1976)The New Grove Dictionary of Music and Musicians (1981)Space and Place: The Perspective of Experience (1978)Space and Place: The Perspective of Experience. (1978)From Ritual to Theatre: The Human Seriousness of Play (1983)On the Phenomenology of the Consciousness of Internal Time (1893–1917) (1991)A Voice and Nothing More (2006)Phenomenology of Perception (2013)Languages of Art (1976)Improvisation: Its Nature And Practice In Music (1980)The New Grove dictionary of music and musicians (2001)A Philosophy of Playing Drum Kit (2022)Shared Listenings (2023)Repetition and Performance in the Recording Studio (2024)
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Cited by

  • 2008Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli'20 cited
  • 2021Reimagine to Revitalise17 cited
  • 19892. Constructions Of Gender In Monteverdi's Dramatic Music17 cited
  • 1994[Reply to Charles S. Brauner]15 cited
  • 2017Place, Performance and Identity in Monteverdi’sCombattimento di Tancredi e Clorinda13 cited
  • 1988Orpheus, Ovid and Opera8 cited
  • 1992Claudio Monteverdi's Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype7 cited
  • 2019Approaching Italiangorgie throughKarnatikbrigha: anessaion intercultural vocal transmission4 cited
  • 1991‘Figura poetica molto vaga’: structure and meaning in Rinuccini'sEuridice4 cited
  • 2005Renaissance, Mannerism, Baroque3 cited

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